2010 Writing Roundup

I might do this six monthly.

I suspect most people aren’t very interested in extremely anal statistics on my efforts to be published, but I do keep meticulous records, mainly to make sure I don’t mess up my submissions (like sending a submission twice to a publisher, or breaking the rules about the length of time before I can send something else). I have to admit that I keep the stats also so that I can measure my success, intrinsically, and in comparison with the past. This is helpful for me, and my ego.

Perhaps, and only perhaps, other writers can get an idea of how much effort and how much potential reward (including disappointment) comes with the effort. I can only say that if you are a serious writer, writing short stories is smart, and submitting them and getting a foot into the industry, even if some of it is the tail end, IS WORTH IT.

So here are the simple facts (notwithstanding some last minute stuff happening – which will mean I will update this – so if you are reading this after 1 Jan 2011, it is up to date and complete).

Firstly, here is a breakdown of my submissions (they include short stories and novels. Rejections do include 3 withdrawals on my part because a given publisher is an ignoramus, or simply didn’t respond after a very long period of time). I also include efforts at various awards and contests  – note that all bar one will not resolve until 2011.

I consider myself a fantasy writer, but interesting enough I had my fair share of scifi success. Another interesting stat is that I got a very good hit rate with anthology submissions. Note that some of my successes will not publish until 2011. "Pub" is basically novels.

If you don’t count the ‘No unfinalised’, my hit rate overall is 18%, or 1 in 6. I am happy with that. In fact, 12 successes is, in my view, a good result for the first year I am serious about this stuff. My goal next year is to have the same number, but to publish at least 3 of my stories in an SFWA acceptable medium. Watch this space.

Here are some graphic representations, for the heck.